Month: April 2020 (Page 1 of 2)

Activity 4: SoundTrap

 

Note: you must use the sign-up link posted in TEAMS in order to create a SoundTrap account.

If you are using iPhone or iPad, you will need to use Safari internet browser.

Important: For best results, always use headphones or earbuds when recording so that your microphone cannot pick up the sound of the metronome or other tracks being played out loud. Check out the videos on this band post for more recording tips.

Bonus Video: a walk-through of the Dona Nobis Pacem multi-track challenge with Mr. Martin

Activity Choices (choose 1 or several)

  • Use the virtual instruments to create a cool original song or loop of your own from scratch (start with Enter Studio)
  • Songwriter Challenge (click link to open this project): Make up your own words and melody that fit with this classic 4-chord repeating pattern, then record your singing to make your very own pop/rock song! If you like, you can change the drum beat or add/change any other instrument parts too. This template comes with 3 verses and 3 choruses, but feel free to add an intro, extend the song’s form, and otherwise make it our own!
  • Karaoke Challenge (click link to open this project): Record yourself singing your own version of “Don’t Stop”
  • Multi-track challenge: Record yourself singing all 3 parts of Dona Nobis Pacem (click link to open this project) or One Bottle of Pop (click link to open this project).

 

To share your creation with only me, use the “Share” button and search for james.martin5 to invite me to collaborate on your song (don’t worry- I won’t change anything, I will only listen).

To share your creation with the class, go to File > Export > Export to mp3 (while in studio view) or clicking on a song in folder view and then pressing the download button that appears to save an audio file that you can then upload to TEAMS.

If you see a webpage like this when trying to download your song on a mobile device, you can instead copy and share the URL address as a link to your song.

New Recording Platform: SoundTrap

Our first ever virtual ensemble recording of Sakura Sakura is progressing well and teaching us a lot about what is working and what we can change to make future recordings sound even better.

After watching the videos, use the sign-up link in TEAMS to create an account on SoundTrap, then CLICK THE LINK FOR EACH ASSIGNMENT to add them to your profile on SoundTrap:

Let me know when you are happy with the recording you have there, and I will go collect the files. Remember: Always use headphones/earbuds to record, and listen back to your part to make sure it is error-free before deciding that it’s ready.

Activity 4: Peter and the Wolf

Explore the instruments of the orchestra through a very famous musical story.

Watch my video first, then follow these links to all 4 parts of the activity on MusicPlay:

Peter and the Wolf – PART 1 – the BIRD and the DUCK

Peter and the Wolf – PART 2 – the CAT, the GRANDFATHER, and the WOLF

Peter and the Wolf – PART 3 – PETER and the HUNTERS

Peter and the Wolf – PART 4 – the FULL STORY (this part is longer than the others, feel free to come back to it later this week if you need a break after the first 3.

Lesson 3: Musical Autobiography

CLICK HERE FOR THE VIDEO if you are having trouble playing it on my website.

 

An AUTOBIOGRAPHY is a one of the ways an author can tell their own life story – in writing. It is written by that author in their own words. A music autobiography uses important songs or pieces of music to tell your story.
________________________________________

Assignment:
Write one short “chapter” (a paragraph) of your Music Autobiography about a song you love to listen to.
It can be a song with lyrics (words), or a piece of music without words.

________________________________________
Instructions
1. Choose ONE song to share. This song is music that you love to listen to or that has special importance to you.
Your choice might be based on one of the following suggestions…
Hearing this music …

  •  … makes me want to sing or dance
  •  … reminds me of a special person in my family (mom, dad, brother, sister, grandma, grandpa, aunt, uncle, cousin, etc. )
  •  … helps me remember (a favourite trip, a family celebration, a special occasion, a fun family tradition, a favourite movie, etc.)
  •   … helps me celebrate my culture
  • … is a favourite song of my family
  •  … makes me feel ____

________________________________________
2. Present your song by …

  1. answering a few questions to tell why you love to listen to this music or why it is important to you
  2. adding a link to a recording of the song (or tell Mr. Martin where to find it) – YouTube, or .mp3 / .mp4 file, etc

________________________________________

3. Hand in your assignment to Mr. Martin by Tuesday, April 28th at 3 pm.

  • You can post your document (or do it on paper and take a picture) as a reply to the Lesson 3 post on TEAMS if you would like to share your musical autobiography chapter with everyone in the class.
  •  If you prefer that only I see it, you can e-mail your document (or do it on paper and take a picture) to me (james.martin@burnabyschools.ca), make sure to put “autobiography” in the subject of the email

 

DOWNLOAD A COPY OF THE ASSIGNMENT (word document) HERE  (you will need to click on the DOWNLOAD button to save a copy before you can start working on it)

OR

Fill out and submit an online form version of the assignment here

Lesson 3: Don’t Stop

I think it’s about time we all learned to sing a new song!

CLICK HERE FOR THE VIDEO on STREAM if you are having trouble playing it on my website

or CLICK HERE FOR THE VIDEO FILE

CLICK HERE FOR THE VIDEO if you are having trouble playing it on my website.

DON’T STOP – by FLEETWOOD MAC

If you wake up and don’t want to smile
If it takes just a little while
Open your eyes and look at the day
You’ll see things in a different way

Don’t stop thinking about tomorrow
Don’t stop, it’ll soon be here
It’ll be, better than before
Yesterday’s gone, yesterday’s gone

Why not think about times to come?
And not about the things that you’ve done
If your life was bad to you
Just think what tomorrow will do

Don’t stop thinking about tomorrow
Don’t stop, it’ll soon be here
It’ll be, better than before,
Yesterday’s gone, yesterday’s gone

All I want is to see you smile
If it takes just a little while
I know you don’t believe that it’s true
I never meant any harm to you

Don’t stop thinking about tomorrow
Don’t stop, it’ll soon be here
It’ll be, better than before,
Yesterday’s gone, yesterday’s gone

Don’t stop thinking about tomorrow
Don’t stop, it’ll soon be here
It’ll be, better than before
Yesterday’s gone, yesterday’s gone

Ooh, don’t you look back
Ooh, don’t you look back
Ooh, don’t you look back
Ooh, don’t you look back

Virtual Ensemble Recording Assignment 1 – Sakura Sakura

Due: Tuesday April 28

We’re going to take Sakura Sakura (#77 from Essential Elements that I asked you to practice last week) and use it as our first Virtual Ensemble recording project. Please watch this video lesson on home recording and then read the assignment options below.

And the final result, using Ode To Joy as an example:

 

You can record and submit your audio file one of two ways:

UPDATE: The new preferred recording option is SoundTrap. Please see this post for an introduction to using that platform.

old Option1 (OUTDATED): Use SmartMusic to practice and record Sakura Sakura (no longer recommended), then select your best recorded take and click save to download the audio file (.wav). E-mail the file to me (james.martin@burnabyschools.ca) with the subject “sakura sakura” (UPDATE: saving the audio file does not seem possible on iPads. If you are using an iPad and there is no “save” button available, just send me an email saying you’ve submitted to SmartMusic and I will go through some extra steps to extract your recording).

Option 2 (still fine if SoundTrap doesn’t work for you): After practicing Sakura Sakura with the click track (or a metronome set to 72 bpm), record an audio file (not video) on your device (programs like “voice recorder” work fine, or you can record within a multitrack program like Garage Band or Audacity and then save just your part without the click track included). Choose your best take and e-mail it to me (james.martin@burnabyschools.ca) with the subject “sakura sakura“. The click-track is available in several places for your convenience: under “Files” in the band channel on Teams, as an mp3 file you can download here, and as a YouTube video you can watch here:

For all recordings, whether on SmartMusic or not:

  • Know your music: Do your practice in advance and make sure you can reliably play your part from beginning to end with no mistakes before you try recording.
  • Record in a quiet environment
  • use headphones or earbuds
  • Warm up well before recording, and make sure you are in tune. If you don’t have a tuner, SmartMusic has a built-in one that you can access when you have a song open. There are also many free tuner apps available for all sorts of devices, as well as this website. Remember, tuners will always give you the concert pitch name for a note unless they say otherwise, so clarinetists/saxophonists/trumpeters be aware!
  • Don’t play overly loud; put some distance between your instrument and microphone if reasonably possible.
  • Review your takes carefully before submitting. Make sure your rhythms are accurate and in time with the click track.

Also, here’s a little bonus video with more about SmartMusic and how to save your recorded files from there to send to me. One more tip for SmartMusic – if you’re using an iPad, make sure to download the app instead of trying to run it from the website!

CLICK HERE FOR THE VIDEO if you are having trouble playing it on my website.

 

Band Update

CLICK HERE FOR THE VIDEO if you are having trouble playing it on my website.

Hi band 7 students,

This is a long post, so buckle in!

I am so glad that so far 40 people have completed the band term 3 form and 28 people have been able to sign up for SmartMusic. Please look into both of these in the previous band posts if you haven’t done so already.

I know there have been a lot of questions about what band will look like these days. I honestly haven’t figured out all the answers just yet, but it is my hope with this message to answer as many of those questions as I can. I apologize that some of your questions have had to wait longer than they should have. If your questions are still unanswered after reading this, please ask me a second time in Teams or by e-mail.

Firstly, never forget to slow down and breathe. Not just when playing your instrument, but in times like this in life when things are unusual and uncertain. We will work together to overcome the obstacles that are within our power to fix, and we will learn to let go of worries about things that are beyond our control. I understand that circumstances are not perfect for everyone right now, so just do what you are able to and don’t worry about the rest. Please continue to reach out to me with your questions and requests.

With all that said, here are some real questions I have been asked and a few that I made up:

Is band still happening? Absolutely!

How often will we do it? Will we have a regular meeting schedule? There is too much lag time and loss of sound quality to be able to rehearse together in an e-meeting or video call, so a regular meeting schedule does not make much sense in our current context. I will experiment with some small-group sectionals, and will try to fit in as many one-on-one check ins as I can. That said, your at-home practice should hopefully be able to continue as much as was normally recommended before.

Are we going to use the camera or just practice alone? In addition to your regular at-home practice, those who are able to access it will be using SmartMusic as a practice-assistant tool that will allow you to submit audio recordings to me. For those unable to access SmartMusic, you will still be able to send me audio or video of you playing your instrument (details of where exactly you’ll be uploading/sending those files is something I’m still figuring out, but there are lots of options). As great as SmartMusic is, I will make sure that it is not the only option.

How will we submit our assignments/practice sheets/recordings? I’m still deciding what makes the most sense, but I will let you know as soon as I have an answer. In the meantime, just keep holding on to anything like practice sheets that you eventually want to send to me.

Are we going to be focusing mostly on music theory from this point on? No more than usual. In fact, I especially want to focus on playing, even though we can’t physically do that together at the moment.

Is there anything specific you would like us to practice? Are we going to do other songs like the two songs that we were going to play and how would we get the music sheets for that if we did?

  • keep working on The Avengers, O Canada, and Ayre and Dance.
  • As something new, learn #77 “Sakura, Sakura” in Essential Elements. It seems like a fitting piece right now because the cherry blossoms are in bloom, and also it is the song that we will use for our first attempt at a group recording (I imagine there will be some small issues to work out, so it’ll be best to try with something short and not too difficult for the first time). Please don’t send me any recordings yet, I will be providing you with specific instructions to follow for the recording process.
  • I will also soon be providing you with sheet music for new songs that you will be able to download onto your device, and play-along tracks for some songs that you can practice with. (If you really feel like you have mastered all these songs already, start at #93 in Essential Elements and work forward from there at your own pace – you can even use SmartMusic with Essential Elements if you look for it in the “Method Books” category).

I’m missing a copy of my sheet music or a practice sheet… or maybe my instrument. As I said, we will do what is within our power to do, and won’t worry about what we cannot control. There is some of our sheet music that I am able to send of digital copies of. Instruments not at home might be something we can’t do much about right now, but send me an e-mail and we’ll discuss what other options we might have.

But wait… what’s the point of practicing these songs if we can’t play together? I have 3 answers:

  1. Of course we can’t play together in the same room right now, but we can still make music together. We are going to be doing group recording projects where everyone records their parts at home and then I will edit them together to create a virtual band. We’ll still be able to hear our music made together, and you will all finish the school year with copies of your recordings that you can always listen back to.
  2. Even alone, there is still so much value in practicing how to practice and learning how to learn. I think that growing your skills on an instrument is one of the best ways to do this. Since September, each of you has learned to do things that were completely beyond you only a few months ago. You’ve gone from trying to make your first sounds to feeling the satisfaction of playing that tricky line or that high note perfectly, and it’s proof to yourself that you can always keep pushing to new heights when you put in the time and energy. That process doesn’t have to stop when you’re practicing by yourself.
  3. This lockdown will not last forever. If you find yourself sitting in a band class without having played in who-knows-how-long, you’ll probably be wishing you hadn’t let yourself fall out of practice.

Why has it taken you so long to answer these questions? Lots of reasons! Some I didn’t know the answer to and wanted to figure out before saying anything. Some questions honestly just got lost in the shuffle (I am a member of 16 different Teams groups at the moment and hundreds of messages have been spilling in every day. I h

ave gotten better at sorting and tracking the important ones, but some might occasionally slip by). Just like your classroom teachers, I have also had a lot of my time occupied by figuring out Teams, setting up this blog, and developing online versions lessons for all the classes I teach. Fortunately, a most of the set-up is done now and I will have more time available for all of you. Thank you for your patience, your chill-ness, and your willingness to help each other out while things have been coming together these past 2 weeks.

Take care,

Mr. Martin

TL;DR – Keep practicing, we’re going to record our songs, learn #77 in Essential Elements, you’re all awesome.

Lesson 2: Write Your Own Song Lyrics

We’re going to write our own lyrics! Watch the lesson first, and then I have repeated the most important parts below the video if you want an easy way to read through the steps.

CLICK HERE FOR THE VIDEO if you are having trouble playing it on my website.

Using a pencil and paper:

Brainstorm ideas: what are some things that have been new or different while staying at home?

Choose 1 idea and expand upon it: Pick your most interesting idea and write down as many words and phrases that you can think of that are related to that idea or your story.  If you can’t think of very many related words or phrases, try another one of your ideas instead!

Draw four lines, and create an extra underline space at the end of your 2nd and 4th lines to show where your rhyming words need to go.

Choose 1 word and find rhymes: Pick one of the most important words or phrases to place in one of your rhyming spaces, then create a list of other words that rhyme. Go through the alphabet and add each letter to the start of your rhyme sound to see how many rhymes you can come up with. For example, if trying to find a rhyme for “ask” you can try “bask”, “cask”, “dask”, and so on. Don’t forget to try other sounds like “ch”, “sh”, and “th”. Say each rhyme-try out loud and listen to see how many real words you can find this way. If you can’t find very many rhymes, try again with another starting word!

Choose the rhyme that makes the most sense: Go through all your rhymes and see what words could be used in your verse in a way that makes sense. Thinking of opposites can be useful (if you love running but can’t do that much right now, maybe you could rhyme “run” with “not fun“.) Remember, your rhyme has to be the last sound at the end of lines 2 and 4. If none of the rhymes fit with your story, go back to step 4 and try again with a different word.

Fill out the rest of lines 2 and 4: make sure the rhyme words you have chosen make sense as the last word of each phrase. Speak it out loud to make sure it sounds right.

Complete your story with lines 1 and 3: These ones don’t need to rhyme, so they’re a good place to add other important details that didn’t fit while we were trying to make lines 2 and 4 rhyme.

Test your lyrics: sing through your verse a few times to make sure that it fits the rhythm of the song. If it feels like you’re trying to squeeze in too many words, try to find a more simple way to say what you mean. These a short verses, so there isn’t room for a lot of detail… but you can always do a second verse if you really want!

Post your lyrics in a reply on Teams: Make sure to scroll all the way to the bottom of the lyrics-writing post to find the reply button so we can keep all our verses together.

Have fun!

 

Here’s a practice video you can use to help you test your verse once you’ve written it. I have left enough space for you to try it two times in a row:

CLICK HERE FOR THE VIDEO if you are having trouble playing it on my website.

Lesson 2: BeepBox

After all the cool things you created in the Chrome Music Lab Songmaker, I had to show you BeepBox!

One weird thing about this video: when I click on “preferences” menu in the video, the drop-down menu that I could see at the time didn’t show up in what you can see here. You’ll have to try it for yourself on Beepbox in order to see the list of options I talk about.

CLICK HERE FOR THE VIDEO on Stream if you are having trouble playing it on my website,

Or click here for the video file.

Click here to start creating: beepbox.co

Criteria: create a composition that uses at least 3 channels (colours/instruments), and one or more of the channels needs to use at least 2 different loops.

Example: This song uses 4 channels, and the yellow channel uses 2 different loops.

If you want to know more than what I demonstrate in the video, you can scroll down on Beepbox for an even more detailed explanation of how it works.

« Older posts