Collaboration:
Artist Case Study: Lingua Ignota
Biography:
Kristin Hayter is an Artist from Rhode Island who Started Making Music under the Name “Lingua Ignota” in 2017. She was Raised Catholic in Del Mar, California. This Upbringing is the Main Influence for Her Musical Endeavors. Her Music can be Described as Ambient, Folk, Power-Electronic, Metal and Harsh Noise. She Plays Piano but is Mainly Known for her Powerful Voice.
Beginnings:
At a young age, Kristins Voice was Noticed and she was Classically trained Becoming a Church Cantor or Chief Singer for the Churches Choir. In High School, she was the Singer for Several small Metal Garage Bands. She graduated from the School of the Art Institute of Chicago with a Master’s Degree and a Bachelor of Fine Arts. Her first project Released under the Name Lingua Ignota was a Collection of Tracks from her Thesis Project which had all its Proceeds Donated to the National Network to End Domestic Violence. 4 Months later She Released a Second Album on Bandcamp. In 2018 Kristin was Signed to Sargent House and has Released Two more Ablums Under the Label Since.
Management:
Lingua Ignotas’s first two Projects were Self-Released and the Next two Under the Management of Sargent House who help Market her and Distribute her Albums, also through Bandcamp, Mainly Vinyl as well as CD. She has a Large Variety of Merchandise on Her Website. Her Faith is a Larger part of her Marketing as it is the Overbearing Focus of her Musical Career.
Longevity:
Lingua Ignota has Built up herself as a Well Established Multi-Instrumentalist and Powerful Voice in the Experimental Music Seen and Her Recent Album, Sinner Get Ready, has Received Critical Praise Across the Board getting an 8 out of 10 or Higher from a Large Number of Music Critics and Review Sites.
Repeatable:
Lingua Ignotas’s journey is Not Repeatable. Her Natural Talent mixed with her Christian Upbringing and History of Abusive Relationships Serving as the Main Influence in her Music, Making her Music Genuine and Moving, It is Not Common Knowledge how She Built herself up to where she is today but it can be Assumed her Talents and Post-Secondary experience already her to Make many Meaningful Connections.
References:
- https://en.wikipedia.org/wiki/Lingua_Ignota_(musician)#Music_career
- https://wikispro.com/lingua-ignota-musician-wiki-networth-age/
- https://en.wikipedia.org/wiki/Sinner_Get_Ready
- https://sargenthouse.tumblr.com/post/180835548698/lingua-ignota-joins-sargent-house-management
- https://linguaignota.bandcamp.com/
- https://sargenthouse.com/lingua-ignota
Ólafur Arnalds – they sink
In they sink, Arnalds uses layered piano recordings and feedback delay effects to effectively play more notes than would otherwise be possible. This creates an interesting stereo image that sounds (on monitors with descent soundstage) like the recorded piano is dispersed all around your head.
– Nick Andreev
Ólafur Arnalds – re:member
In re:member, Arnalds uses short call and response phrases in the composition. Call and response phrases mimic human interaction, and thus such composition styles appear frequently in music all over the world.
– Nick Andreev
Nils Frahm – Forever Changeless
In Forever Changeless, Frahm uses close-miking to more clearly capture the sound of a piano’s action mechanism. This, combined with a very soft-sounding piano, creates a distinctly intimate sound.
– Nick Andreev
Nils Frahm – A Place
Sevish – Midnight Cascade
In Midnight Cascade, Sevish employs just intonation in tuning their instruments.
A just intonation tuning system is any tuning system that attempts to tune musical intervals as whole-number ratios. Such whole number ratios appear naturally in almost all sounds as the harmonic series, and when sounded, no beating is heard. That being said, attempting to create rigid tuning systems using the rules of the harmonic series doesn’t work as one would first expect, as music commonly requires more notes than just one harmonic series can provide. As such, just intonation tuning systems frequently sound just as, if not more, out of tune than standard twelve-tone equal temperament. However, if one is using a scale-free instrument like a trombone, voice, or any instrument of the violin family, they would naturally be inclined to play in what is called adaptive just intonation, which is basically what all just intonation tuning systems attempt to emulate.
– Nick Andreev
Time With Me – Pinkpantheress
https://www.youtube.com/watch?v=oQyrXIyZM0g&list=PLl0lBgbhKo3uoB0It9e57y6lxtVx6h3zM&index=1
I’ve been listening to Pinkpantheress for a couple months, starting with her small discography on SoundCloud. Time With Me is one of her songs that I discovered more recently, and it’s quickly become one of my favourites of hers. Pinkpantheress’ sound has influences of DnB & electronica and uses funk samples in a couple of her tracks. I love this track specifically because of its funny lyrics, its dirty jazzy chords, and the quick but laid back drums.
Frank Ocean – Songs for Women
https://www.youtube.com/watch?v=a2VRjNmYyts&list=PLl0lBgbhKo3uoB0It9e57y6lxtVx6h3zM&index=2
I listen to a lot of Frank Ocean, but I had never heard this song because it’s only available on SoundCloud. I love the instrumental of this song, produced by Happy Perez, but what I love even more is the lyrics. On the surface, it’s a funny song about how Frank likes to use his musical talent to attract women, but as I dove deeper into the lyrics I realised that the song is about Frank deciding whether to rue or revel in his conflicted feelings about women. On one hand his musical talent gives him leverage with the ladies, but the struggle and effort of creating the music pushes his love interest further away, as they spend less time together.
Baraka – I’ll be There
https://www.youtube.com/watch?v=gxcz83OFB1g&list=PLl0lBgbhKo3uoB0It9e57y6lxtVx6h3zM&index=4
I found this song while scrolling through old Jungle/DnB mixes on YouTube. It was released in 1995, and after searching for the DJ on google I could find 2 pieces of information about him: His real name is John Lisners, and a blurry picture of him with sunglasses and a hat on. Despite the fact that he’s virtually unknown and a very mysterious figure, I’ll be There is a very popular jungle classic and the comments on the YouTube Video regard it as one of the greatest Jungle tracks of all time. I see where they’re coming from. This track is near perfect, from the bouncing lead synth, to the fast, hard hitting drums, to the breakdowns where he chops each sound up and switches them around to create a new but old sound.